Suicide Silence’s Eddie Hermida to Thy Art Is Murder vocalist: “I’d say that [he’s a sellout] straight to his face”

Suicide Silence’s Eddie Hermida to Thy Art Is Murder vocalist: “I’d say that [he’s a sellout] straight to his face”
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Things are heating up in the Suicide Silence camp, as they have been for the last few weeks/months in the new album cycle, and now tensions between them and Thy Art Is Murder are growing.

In the recent months since CJ McMahon returned to Thy Art Is Murder and Suicide Silence released their new self-titled album, the two have gone at it in regards to the present and future state of deathcore.

This began when Suicide Silence frontman Eddie Hermida name-dropped Thy Art Is Murder in two interviews (with Metal Wani and Clrvynt) when he said the genre is doomed if band’s continue writing the same songs over and over again. Thy Art Is Murder responded with a new hat that references Hermida’s interview with Metal Wani when he says “let’s make deathcore great again.”

We don't need any more shade, we made our own. Link in our bio.

A post shared by Thy Art Is Murder (@thyartinstagram) on

In a new interview with, Hermida has addressed the situation in regards to Thy Art Is Murder in extensive detail. You can read his entire piece below, transcribed by ThePrp.

What do you think?


When asked if he would be more careful when calling out other bands, he had this response:

Am I being more careful now? No, fuck no. Thy Art Is Murder absolutely saw an opportunity and ran with it, and honestly, they did the silliest thing you could ever do in mimicking somebody like Trump and say that they are not selling out. They are literally going, “Hey, we’re not sell-outs, but please buy this hat. You need to buy this hat.” It’s completely backwards thinking.

They’re looking for their fans to feed into the chaos. They’re looking for the attention, and that’s fine. It goes exactly with what I said—we don’t need that kind of attention anymore. I praise them for jumping on an opportunity just like they should. When you’re desperate for making money, you’re going to serve the fans, you’re going to create the same music so that they can feel safe in their sound, and you’re going to try your hardest to maintain in that world.

I know from experience. I know from being in a band that was desperate to serve the fans, creating music that served us and the fans at the same time. All Shall Perish was a band that did that 100 percent. Especially with members leaving and all that, we always worried about what other bands were doing and how to be better than that. In that process, you forget who you are.

It’s really funny that it’s become such a thing, but the reality is that I didn’t say anything that was that hurtful towards that band. They saw an opportunity, and they ran with it. If anything, they’re hurting themselves by continuing that mentality and continuing that really tongue-in-cheek way of doing things.

It’s not showing anybody any kind of strength. It’s not showing any kind of value. It’s just going, “Oh, I see this opportunity where my band’s name is in the media. Let’s sell some stuff.

[Referring to Thy Art Is Murder vocalist C.J. McMahon] ‘You, know, nothing else is selling, so I quit the band to begin with. There’s no money in it, so let me write this long-ass fuckin’ expose about how band members don’t make any money, then later come right back and basically say I’m not a sellout.’

And at the end of the day, that is a sellout. A person who is looking for money and a person who talks about money and focuses on money when they’re making music is a complete sellout. I would say that straight to his face, and I would say that to any band member in this genre that isn’t challenging anybody.

Anybody that’s going out there for the sake of making money and for the sake of being in a huge band for selling albums are out of their minds. They’re completely backwards.
When we started making music as 15- and 16-year-old kids, you don’t have dreams and aspirations of being a money-making person. When Mitch [Lucker] created his band, all he wanted was to be is the best band in the world.

He didn’t give a fuck about Lamborghinis or houses or anything. When the band started making money, it was because he realized in order to make money in this world, you have to work your ass off. You have to break yourself emotionally and physically in order to get paid the little amount that we do get paid.

That’s all any musician who is a musician wants. They want comfort, and they just want to live. I don’t think that is selling out at all, I think that’s being a musician. It’s having some sort of value for your art and giving it for the value that it is. Everything else is literally just a copy of that, and if you want to run with it, you can. But personally, I didn’t write this record to sell a bunch of records. If it does, sweet. If it doesn’t, sweet, I still got to do what I wanted to do.

If people want to turn something into an opportunity because I mentioned their band’s name, so be it. That’s not why I mentioned it. I mentioned it to show people why we’re doing what we’re doing. We didn’t want to create the same record that Suicide Silencewould have written if we had written a record to make money.

If we would’ve written that record, we wouldn’t even be talked about. I could have mentioned fucking Pantera, and it would have fallen on deaf ears. That fact is we did something huge, and now I can say something like ‘Thy Art Is Murder‘ and it gets talked about a month later. When you make waves, people want to try to surf.

The interview is available in its entirety here. Suicide Silence is also undergoing backlash from their own fanbase since the band released a new self-titled album earlier this year. The album is considerably lighter than their previous work, especially the album’s predecessor, You Can’t Stop Me, which received a tremendous amount of praise among critics. Fans were mixed on that album since the passing of former vocalist Mitch Lucker. In response to the huge drop in first-week sales, Hermida and company responded by rejecting claims they were “forced” to go lighter, and stood by the notion that they made the record “exactly the way they wanted.”

We’ll see what happens from here on out.